E lucevan le stelle http://www.elucevanlestelle.com E lucevan le stelle Mon, 14 Jul 2008 15:06:22 +0000 http://wordpress.org/?v=2.0.7 en © 2003-2006 info@elucevanlestelle.com () info@elucevanlestelle.com Solo un altro weblog targato WordPress info@elucevanlestelle.com No no http://www.elucevanlestelle.com/wp-content/plugins/podpress/images/powered_by_podpress.jpg E lucevan le stelle http://www.elucevanlestelle.com 144 144 EL 072324 - Occhi miei lassi http://www.elucevanlestelle.com/el-072324-occhi-miei-lassi/ http://www.elucevanlestelle.com/el-072324-occhi-miei-lassi/#comments Sat, 22 Mar 2008 17:31:56 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/el-072324-occhi-miei-lassi/ Click to enlarge

While one was begun on the twenty-fifth of March in the year fourteen twenty, on the Feast of the Annunciation, the other dates from the fifteenth of August of fifteen seventy, the Feast othe Assumption, also sacred to the Blessed Virgin. And it was quite logical that the mother should be born before the daughter.

While one was begun on the twenty-fifth of March in the year fourteen twenty, on the Feast of the Annunciation, the other dates from the fifteenth of August of fifteen seventy, the Feast of the Assumption, also sacred to the Blessed Virgin. And it was quite logical that the mother should be born before the daughter. It was thus that Alemanio Fini, writing in the Sixteenth Century, described the relationship between Venice and Crema, considered indissoluble and, as the comparison with the Madonna indicates, sacred. The Serenissima had conquered Crema and its lands in 1449 and was to rule it until 1797, when the Venetian Republic itself was abolished. It was from this city that one unspecified day the lutanist Giovan Maria, whose native town is known but whose surname has not come down to us, set out for Venice. Tracing the compositions’ publishing history is extremely complicated, even though we are dealing with just three volumes, but at present the complete lack of any biographical data about this composer and lutanist prevents us from casting light on a number of mysterious, obscure aspects of his life and art.

Here is the packaging for this fantastic recording. Follow the instructions of our
tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label.
just a click to get the front cover.
Then click for the back cover.
And then the cd’s label
And click here to get the booklet.
Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle’s MUSICSTORE Click to enlarge

Se fu principiata l’una à venticinque di Marzo del quattrocento venti, nel giorno dell’Annontiatione della Vergine; ebbe principio l’altra à quindici d’Agosto del cinquecento settanta, il dì à punto dell’Assontione di essa Vergine. Et era ben ragionevole, che nascesse la madre prima della figlia.

Così in pieno Cinquecento si esprimeva Alemanio Fino circa il rapporto fra Venezia e Crema, considerato inscindibile e, dato il paragone, sacro. La Serenissima aveva conquistato Crema e il suo territorio nel 1449 e ne avrebbe mantenuto il controllo fino al 1797, fino al momento della dissoluzione della Repubblica. Da questa città dovette un giorno imprecisato partire per la Laguna il liutista Giovan Maria, di cui non conosciamo il cognome ma solo la provenienza. Giovan Maria raggiunse una meta che ai suoi occhi dovette apparire naturale non solo per l’attrazione che esercitava in quanto capitale e punto di riferimento assoluto per la sua città di origine. A Venezia infatti andava spegnendosi il privilegio decennale assegnato nel 1536 a Francesco Marcolini per la stampa di intavolature per liuto “con caratteri di stagno” e le due officine tipografiche maggiormente attente alla musica, non solo per liuto, di Venezia stavano per scatenare una guerra senza esclusione di colpi per assicurarsi il mercato delle intavolature. Complicatissimo ricostruire la sua vicenda editoriale, nonostante si tratti di analizzare solo tre volumi: ma l’assoluta mancanza di dati biografici in nostro possesso su questo compositore e liutista ci impediscono al momento di chiarire alcuni aspetti oscuri e misteriosi della sua vicenda umana e artistica. Cerchiamo di addentrarci in questa affascinante selva editoriale, alla ricerca di qualche particolare che ci permetta di ottenere una migliore immagine di Giovanni Maria e della sua arte.

Ecco quanto necessario per realizzare il packaging di questo meraviglioso disco. Seguite le indicazioni del
tutorial video e realizzate da voi a casa la confezione di uno splendido cd E lucevan le stelle.
Cliccate per ottenere la parte frontale
Poi cliccate per il retro
E poi scaricate il label del vostro disco.
Ed infine ottenete il libretto in due lingue con un semplice click qui
Ora avete solo bisogno della musica, che potrete acquistare online e tenere nel vostro Ipod. Accertatevi che il vostro broswer accetti i cookies e poi dirigetevi verso il MUSICSTORE E lucevan le stelle Records.

]]> http://www.elucevanlestelle.com/el-072324-occhi-miei-lassi/feed/ While one was begun on the twenty-fifth of March in the year fourteen twenty, on the Feast of the Annunciation, the other dates from the ... While one was begun on the twenty-fifth of March in the year fourteen twenty, on the Feast of the Annunciation, the other dates from the fifteenth of August of fifteen seventy, the Feast othe Assumption, also sacred to the Blessed Virgin. And it was quite logical that the mother should be born before the daughter. While one was begun on the twenty-fifth of March in the year fourteen twenty, on the Feast of the Annunciation, the other dates from the fifteenth of August of fifteen seventy, the Feast of the Assumption, also sacred to the Blessed Virgin. And it was quite logical that the mother should be born before the daughter. It was thus that Alemanio Fini, writing in the Sixteenth Century, described the relationship between Venice and Crema, considered indissoluble and, as the comparison with the Madonna indicates, sacred. The Serenissima had conquered Crema and its lands in 1449 and was to rule it until 1797, when the Venetian Republic itself was abolished. It was from this city that one unspecified day the lutanist Giovan Maria, whose native town is known but whose surname has not come down to us, set out for Venice. Tracing the compositions’ publishing history is extremely complicated, even though we are dealing with just three volumes, but at present the complete lack of any biographical data about this composer and lutanist prevents us from casting light on a number of mysterious, obscure aspects of his life and art. Here is the packaging for this fantastic recording. Follow the instructions of our tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label. just a click to get the front cover. Then click for the back cover. And then the cd's label And click here to get the booklet. Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle's MUSICSTORE Se fu principiata l'una à venticinque di Marzo del quattrocento venti, nel giorno dell'Annontiatione della Vergine; ebbe principio l'altra à quindici d'Agosto del cinquecento settanta, il dì à punto dell'Assontione di essa Vergine. Et era ben ragionevole, che nascesse la madre prima della figlia. Così in pieno Cinquecento si esprimeva Alemanio Fino circa il rapporto fra Venezia e Crema, considerato inscindibile e, dato il paragone, sacro. La Serenissima aveva conquistato Crema e il suo territorio nel 1449 e ne avrebbe mantenuto il controllo fino al 1797, fino al momento della dissoluzione della Repubblica. Da questa città dovette un giorno imprecisato partire per la Laguna il liutista Giovan Maria, di cui non conosciamo il cognome ma solo la provenienza. Giovan Maria raggiunse una meta che ai suoi occhi dovette apparire naturale non solo per l'attrazione che esercitava in quanto capitale e punto di riferimento assoluto per la sua città di origine. A Venezia infatti andava spegnendosi il privilegio decennale assegnato nel 1536 a Francesco Marcolini per la stampa di intavolature per liuto “con caratteri di stagno” e le due officine tipografiche maggiormente attente alla musica, non solo per liuto, di Venezia stavano per scatenare una guerra senza esclusione di colpi per assicurarsi il mercato delle intavolature. Complicatissimo ricostruire la sua vicenda editoriale, nonostante si tratti di analizzare solo tre volumi: ma l'assoluta mancanza di dati biografici in nostro possesso su questo compositore e liutista ci impediscono al momento di chiarire alcuni aspetti oscuri e misteriosi della sua vicenda umana e artistica. Cerchiamo di addentrarci in questa affascinante selva editoriale, alla ricerca di qualche particolare che ci permetta di ottenere una migliore immagine di Giovanni Maria e della sua arte. Ecco quanto necessario per realizzare il packaging di questo meraviglioso disco. Seguite le indicazioni del tutorial video e realizzate da voi a casa The records info@elucevanlestelle.com no No EL 082326 - Le Mouton fabuleux http://www.elucevanlestelle.com/le-mouton-fabuleux/ http://www.elucevanlestelle.com/le-mouton-fabuleux/#comments Sat, 22 Mar 2008 16:19:09 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/le-mouton-fabuleux/ Click to enlarge

Most of Charles Mouton’s compositions are contained in two volumes printed in Paris around 1679 and a manuscript now in Prague, belonging to the extraordinary Lobkovitz family collection. It is almost certain that Mouton’s published works actually filled four books, a fact indicated by the publishing business of Etienne Roger, which provides records of three books attributed to Mouton published in 1707 and a fourth book published before 1712: however, no trace of the last two remains today. It is not unlikely that most of the repertoire in the two missing collections is preserved in the Lobkovitz collection manuscript, believed to be in Mouton’s own hand. As well as containing pièces by the Parisian lutanist, it also offers an interesting collection of works by Denis and Ennemod Gaultier, often with a double written by Mouton himself. Another extremely important item in the Prague collection is a copy of the second printed volume, printed only up to page 33 and completed by hand, probably by Mouton himself, with two new pieces and compositions which had already appeared in print but presented here under different titles. So there are grounds for maintaining that there were close contacts between the Lobkowitz family and our lutanist, perhaps through the young Philipp Lobkowitz (1680-1735) to whom the volume belonged. Most of the pieces included in this recording, freely grouped together as a sequence of pièces in the same key, are from the manuscript sources, although some are from the printed volumes, and I hope that they provide a fitting representation of Charles Mouton’s extraordinary achievements as a composer.

Here is the packaging for this fantastic recording. Follow the instructions of our
tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label.
just a click to get the front cover.
Then click for the back cover.
And then the cd’s label
And click here to get the booklet.
Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle’s MUSICSTORE Click to enlarge

La maggior parte delle composizioni di Charles Mouton è contenuta in due volumi dati alle stampe a Parigi intorno al 1679 e ad un manoscritto oggi a Praga appartenuto alla straordinaria collezione della famiglia Lobkovitz. E’ quasi sicuro che le opere pubblicate da Mouton fossero in realtà raccolte in quattro libri, come testimonia l’attività editoriale di Etienne Roger nella quale troviamo traccia di tre libri attribuiti a Mouton pubblicati nel 1707 e di un quarto libro edito prima del 1712: degli ultimi due abbiamo però oggi perso le tracce. Non è improbabile che il repertorio contenuto nelle due sillogi mancanti sia principalmente conservato nel manoscritto della collezione Lobkovitz, ritenuto opera autografa di Mouton e che oltre a contenere pièces del liutista parigino mostra un’interessante collezione di brani di Denis ed Ennemod Gaultier provvisti sovente di un double scritto dallo stesso Mouton. Di grande rilievo all’interno della collezione principesca è anche la presenza di una copia del secondo volume a stampa: quest’ultimo è infatti impresso fino alla pagina 33 ed è completato a mano, probabilmente dallo stesso Mouton, con due brani nuovi e con composizioni già apparse in stampa ma qui presentate con diversi titoli. E’ dunque verosimile pensare ad uno stretto contatto fra la famiglia Lobkowitz e il nostro liutista, forse del giovane Philipp Lobkowitz (1680-1735) a cui appartenne il volume. I brani inseriti nella presente registrazione, ragguppati liberamente come successioni di pièces nel medesimo tono, sono tratti in gran parte dalle fonti manoscritte ma anche dai volumi a stampa, e mi auguro possano rappresentare in modo significativo la straordinaria arte compositiva di Charles Mouton.

Ecco quanto necessario per realizzare il packaging di questo meraviglioso disco. Seguite le indicazioni del nostro
tutorial video e realizzate da voi a casa la confezione di uno splendido cd E lucevan le stelle.
Cliccate per ottenere la parte frontale .
Poi cliccate per il retro
E poi scaricate il label del vostro disco.
Ed infine ottenete il libretto in due lingue con un semplice click qui
Ora avete solo bisogno della musica, che potrete acquistare online e tenere nel vostro Ipod. Accertatevi che il vostro broswer accetti i cookies e poi dirigetevi verso il MUSICSTORE E lucevan le stelle Records.

]]> http://www.elucevanlestelle.com/le-mouton-fabuleux/feed/ Most of Charles Mouton's compositions are contained in two volumes printed in Paris around 1679 and a manuscript now in Prague, belonging to the extraordinary ... Most of Charles Mouton's compositions are contained in two volumes printed in Paris around 1679 and a manuscript now in Prague, belonging to the extraordinary Lobkovitz family collection. It is almost certain that Mouton's published works actually filled four books, a fact indicated by the publishing business of Etienne Roger, which provides records of three books attributed to Mouton published in 1707 and a fourth book published before 1712: however, no trace of the last two remains today. It is not unlikely that most of the repertoire in the two missing collections is preserved in the Lobkovitz collection manuscript, believed to be in Mouton's own hand. As well as containing pièces by the Parisian lutanist, it also offers an interesting collection of works by Denis and Ennemod Gaultier, often with a double written by Mouton himself. Another extremely important item in the Prague collection is a copy of the second printed volume, printed only up to page 33 and completed by hand, probably by Mouton himself, with two new pieces and compositions which had already appeared in print but presented here under different titles. So there are grounds for maintaining that there were close contacts between the Lobkowitz family and our lutanist, perhaps through the young Philipp Lobkowitz (1680-1735) to whom the volume belonged. Most of the pieces included in this recording, freely grouped together as a sequence of pièces in the same key, are from the manuscript sources, although some are from the printed volumes, and I hope that they provide a fitting representation of Charles Mouton's extraordinary achievements as a composer. Here is the packaging for this fantastic recording. Follow the instructions of our tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label. just a click to get the front cover. Then click for the back cover. And then the cd's label And click here to get the booklet. Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle's MUSICSTORE La maggior parte delle composizioni di Charles Mouton è contenuta in due volumi dati alle stampe a Parigi intorno al 1679 e ad un manoscritto oggi a Praga appartenuto alla straordinaria collezione della famiglia Lobkovitz. E' quasi sicuro che le opere pubblicate da Mouton fossero in realtà raccolte in quattro libri, come testimonia l'attività editoriale di Etienne Roger nella quale troviamo traccia di tre libri attribuiti a Mouton pubblicati nel 1707 e di un quarto libro edito prima del 1712: degli ultimi due abbiamo però oggi perso le tracce. Non è improbabile che il repertorio contenuto nelle due sillogi mancanti sia principalmente conservato nel manoscritto della collezione Lobkovitz, ritenuto opera autografa di Mouton e che oltre a contenere pièces del liutista parigino mostra un'interessante collezione di brani di Denis ed Ennemod Gaultier provvisti sovente di un double scritto dallo stesso Mouton. Di grande rilievo all'interno della collezione principesca è anche la presenza di una copia del secondo volume a stampa: quest'ultimo è infatti impresso fino alla pagina 33 ed è completato a mano, probabilmente dallo stesso Mouton, con due brani nuovi e con composizioni già apparse in stampa ma qui presentate con diversi titoli. E' dunque verosimile pensare ad uno stretto contatto fra la famiglia Lobkowitz e il nostro liutista, forse del giovane Philipp Lobkowitz (1680-1735) a cui appartenne il volume. I brani inseriti nella presente registrazione, ragguppati liberamente come successioni di pièces nel medesimo tono, sono tratti in gran parte dalle fonti manoscritte ma anche dai volumi a stampa, e mi auguro possano rappresentare in modo significativo la straordinaria arte compositiva di Charles Mouton. Ecco quanto necessario per realizzare il packa The records info@elucevanlestelle.com no No EL 062319 - Ad Vesperas http://www.elucevanlestelle.com/ad-vesperas/ http://www.elucevanlestelle.com/ad-vesperas/#comments Wed, 05 Dec 2007 10:53:42 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/ad-vesperas/ Click to enlarge

Great news! The new E lucevan le Stelle recording has been puplished worldwide by the french label Alpha. Two parallel productions, Number 16 of the Franco Maria Ricci magazine and this recording, number 108 in the Alpha catalog, have been presented simutaneously worldwide. Two wonderful productions featuring the same absolute beauty. These combined productions, dedicated to the baroque spanish musician Diego Ortiz (listen to the interview - in italian- that Maestro Mencoboni gave in october 2005 to dacapoalfine.it about the recording) and to the Neapolitan Fine Arts environment of the 16th century, was expected since 2005. At the heart of this production is creative director, Maestro Mencoboni. The whole project originated in 2004, when, commissioned by the Ambronay Festival (FR), Maestro Mencoboni discovered some written music with references to 16th century Naples. His finding brings light to Ortiz`Musices Liber Primus, dated 1565, and represents probably his most important discovery so far. Maestro Mencoboni himself recorded, produced and directed the music. For this occasion he also wrote the AD VESPERAS story. Then, he involved Mr Jean Paul Combet of the Alpha label in the project. Alpha issued the recording as well as the illustrious FMR magazine which published the story. Last but not least, Maestro Mencoboni called on the outstanding italian actor Toni Servillo as well as the young french actor Frank Provvedi to read and record the story, and the great actress Olivia Williams now available here for you. A new last recording was done during the night of the 30th august by the dutch baritone Max van Egmond that also took care of the translation in dutch from the italian language. The very last recording has been done in genuary ath the Teatro da Cornucopia with the portuguise actor Luis Miguel Cintra, that you can listen and download ath the end of the page. These days, in which we have finally realized such a great and ambitious project, represent for E Lucevan le Stelle a moment of pride and joy. And the first incredible critic, directly from Portugal just arrived, it’s written by Henrique Silveira in Lisbon just click and read Critico Musical. Download the latest portuguise translation of Ad Vesperas by a click here.

Here is the packaging for the Ad Vesperas cd. Follow the instructions of our
tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label.
just a click to get the front cover.
Then click for the back cover.
And then the cd’s label
And click here to get the booklet.
Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle’s MUSICSTORE Click to enlarge

Sono stati presentati contemporaneamente in tutto il mondo il numero 16 di FMR e il cd 108 di Alpha, due produzioni parallele dallo stesso sapore di bellezza assoluta. Era da più di un anno che si attendeva l’uscita di questa produzione congiunta dedicata alla musica di Diego Ortiz (ascoltate l’intervista che Marco Mencoboni ha concesso nell’ottobre 2005 a dacapoalfine.it a riguardo di questa incisione) e al mondo pittorico napoletano della fine del ‘500. Al centro di tutto questo Marco Mencoboni, dal quale tutto il progetto ha origine alla fine del 2004, quando su commissione del festival di Ambronay (FR) cerca e scopre del materiale musicale riconducibile alla Napoli del ‘500. Il musices liber primus di Diego Ortiz, del 1565, ritorna a vivere ed è a tutt’oggi forse la più importante riscoperta che dobbiamo a Marco Mencoboni. Lo stesso, non pago di aver trovato, inciso, prodotto e diretto la musica, di aver coinvolto Jean Paul Combet dell’etichetta Alpha, di aver coinvolto insieme al discografico francese la prestigiosa rivista FMR, non pago di tutto ciò, nello sprint finale ha anche bussato alla porta dell’attore Toni Servillo per la versione italiana, il giovanissimo attore Frank Provvedi per la versione francese e la splendida attrice Olivia Williams per la versione in inglese. Una recente registrazione vede invece protagonista il celebre baritono olandese Max van Egmond che ha anche curato la traduzione dall’italiano all’olandese. L’ultimo capitolo è stata la registrazione realizzata in gennaio al Teatro della Cornucopia di Lisbona, grazie alla disponibilità dell’attore Luis Miguel Cintra, che potete ascoltare o scaricare alla fine di questa pagina.. Con piacere hanno tutti e tre accettato di dare il loro contributo leggendo e registrando il racconto Ad Vesperas, scritto per l’occasione da Marco Mencoboni, pubblicato da FMR e ora anche disponibile qui per voi. Questi giorni, grazie al concretizzarsi finalmente di questo lungo ed ambizioso progetto, rappresentano per noi tutti un momento di fiera e forse meritata gioia. La prima incredibile critica è appena arrivata, direttamente dal Portogallo, è scritta da Henrique Silveira a Lisbona fate click qui e andate a vedere Critico Musical. E’ ora disponibile la traduzione in portoghese del racconto Ad Vesperas, scaricatela con un click qui.

Ecco quanto necessario per realizzare il packaging del cd Ad Vesperas. Seguite le indicazioni del nostro
tutorial video e realizzate da voi a casa la confezione di uno splendido cd E lucevan le stelle.
Cliccate per ottenere la parte frontale .
Poi cliccate per il retro
E poi scaricate il label del vostro disco.
Ed infine ottenete il libretto in due lingue con un semplice click qui
Ora avete solo bisogno della musica, che potrete acquistare online e tenere nel vostro Ipod. Accertatevi che il vostro broswer accetti i cookies e poi dirigetevi verso il MUSICSTORE virtuale di E lucevan le stelle Records.

]]> http://www.elucevanlestelle.com/ad-vesperas/feed/ Great news! The new E lucevan le Stelle recording has been puplished worldwide by the french label Alpha. Two parallel productions, Number 16 of the ... Great news! The new E lucevan le Stelle recording has been puplished worldwide by the french label Alpha. Two parallel productions, Number 16 of the Franco Maria Ricci magazine and this recording, number 108 in the Alpha catalog, have been presented simutaneously worldwide. Two wonderful productions featuring the same absolute beauty. These combined productions, dedicated to the baroque spanish musician Diego Ortiz (listen to the interview - in italian- that Maestro Mencoboni gave in october 2005 to dacapoalfine.it about the recording) and to the Neapolitan Fine Arts environment of the 16th century, was expected since 2005. At the heart of this production is creative director, Maestro Mencoboni. The whole project originated in 2004, when, commissioned by the Ambronay Festival (FR), Maestro Mencoboni discovered some written music with references to 16th century Naples. His finding brings light to Ortiz`Musices Liber Primus, dated 1565, and represents probably his most important discovery so far. Maestro Mencoboni himself recorded, produced and directed the music. For this occasion he also wrote the AD VESPERAS story. Then, he involved Mr Jean Paul Combet of the Alpha label in the project. Alpha issued the recording as well as the illustrious FMR magazine which published the story. Last but not least, Maestro Mencoboni called on the outstanding italian actor Toni Servillo as well as the young french actor Frank Provvedi to read and record the story, and the great actress Olivia Williams now available here for you. A new last recording was done during the night of the 30th august by the dutch baritone Max van Egmond that also took care of the translation in dutch from the italian language. The very last recording has been done in genuary ath the Teatro da Cornucopia with the portuguise actor Luis Miguel Cintra, that you can listen and download ath the end of the page. These days, in which we have finally realized such a great and ambitious project, represent for E Lucevan le Stelle a moment of pride and joy. And the first incredible critic, directly from Portugal just arrived, it's written by Henrique Silveira in Lisbon just click and read Critico Musical. Download the latest portuguise translation of Ad Vesperas by a click here. Here is the packaging for the Ad Vesperas cd. Follow the instructions of our tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label. just a click to get the front cover. Then click for the back cover. And then the cd's label And click here to get the booklet. Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle's MUSICSTORE Sono stati presentati contemporaneamente in tutto il mondo il numero 16 di FMR e il cd 108 di Alpha, due produzioni parallele dallo stesso sapore di bellezza assoluta. Era da più di un anno che si attendeva l’uscita di questa produzione congiunta dedicata alla musica di Diego Ortiz (ascoltate l’intervista che Marco Mencoboni ha concesso nell’ottobre 2005 a dacapoalfine.it a riguardo di questa incisione) e al mondo pittorico napoletano della fine del ‘500. Al centro di tutto questo Marco Mencoboni, dal quale tutto il progetto ha origine alla fine del 2004, quando su commissione del festival di Ambronay (FR) cerca e scopre del materiale musicale riconducibile alla Napoli del ‘500. Il musices liber primus di Diego Ortiz, del 1565, ritorna a vivere ed è a tutt’oggi forse la più importante riscoperta che dobbiamo a Marco Mencoboni. Lo stesso, non pago di aver trovato, inciso, prodotto e diretto la musica, di aver coinvolto Jean Paul Combet dell’etichetta Alpha, di aver coinvolto insieme al discografico francese la prestigiosa rivista FMR, non pago di tutto ciò, nello sprint finale ha anche bussato alla porta dell’attore Toni Servillo per la versione italiana, il gio The records info@elucevanlestelle.com no No EL 072325 - Marguerit http://www.elucevanlestelle.com/marguerit/ http://www.elucevanlestelle.com/marguerit/#comments Tue, 04 Dec 2007 12:53:45 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/marguerit/ cover

Here is our last invention: a disk cover that you can assemble by yourself at home.
Follow the instructions of our
tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label. We suggest that you print the cover with a 100 gr photographic paper.
Further more, presenting our new packaging, we let you choose your preferred cover from 12 different ones, drawn from the Botticelli’s Spring: one for each zodiacal sign. Enjoy!

Here is our chosen cover for the Marguerit packaging:
just a click to get the front cover,
the back cover, and the cd’s label
Eventually click here to get the booklet.
In case you want to customize your new cd, you have a large choice here:

If you belong to aries
If you belong to taurus
If you belong to gemini
If you belong to cancer
If you belong to leo
If you belong to virgo
If you belong to libra
If you belong to scorpius
If you belong to sagittarius
If you belong to capricorn
If you belong to aquarius
If you belong to pisces

Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle’s MUSICSTORE Click to enlarge


Ecco a voi la nostra ultima invenzione: una confezione che potrete assemblare da soli a casa.
Seguite le istruzioni del
tutorial video e fatevi da soli un bellissimo disco E lucevan le stelle fatto in casa, completo di libretto e label. Vi consigliamo di stampare la confezione su carta fotografica da 100 grammi.
E poi, proprio in occasione della presentazione di Marguerit e del nostro nuovo packaging, vi facciamo scegliere la vostra confezione preferita tra le 12 che abbiamo preparato con dettagli tratti dalla Primavera del Botticelli: una per ogni segno zodiacale. Buon divertimento!

Come prima cosa potete stampare la copertina del vostro cd così come l’abbiamo scelta noi facendo click qui
Poi potete stampare il retro del vostro cofanetto facendo click qui
Poi sarà la volta del label di Marguerit che potete scaricare facendo click qui
Poi potete fare il download del librettino di Marguerit cliccando qui

E poi, se proprio non siete soddisfatti, ecco un’ampia scelta della parte frontale del disco, una per ogni segno zodiacale:

Se siete dell’ ariete
Se siete del toro
Se siete dei gemelli
Se siete del cancro
Se siete del leone
Se siete della vergine
Se siete della bilancia
Se siete dello scorpione
Se siete del sagittario
Se siete del capricorno
Se siete dell’ acquario
Se siete dei pesci

Ed ora non vi rimane che la musica, che potete acquistare online nel
MUSICSTORE E lucevan le stelle

]]> http://www.elucevanlestelle.com/marguerit/feed/ Here is our last invention: a disk cover that you can assemble by yourself at home. Follow the instructions of our tutorial video and make yourself ... Here is our last invention: a disk cover that you can assemble by yourself at home. Follow the instructions of our tutorial video and make yourself a perfect sounding and looking E lucevan le stelle home made cd, including booklet and label. We suggest that you print the cover with a 100 gr photographic paper. Further more, presenting our new packaging, we let you choose your preferred cover from 12 different ones, drawn from the Botticelli's Spring: one for each zodiacal sign. Enjoy! Here is our chosen cover for the Marguerit packaging: just a click to get the front cover, the back cover, and the cd's label Eventually click here to get the booklet. In case you want to customize your new cd, you have a large choice here: If you belong to aries If you belong to taurus If you belong to gemini If you belong to cancer If you belong to leo If you belong to virgo If you belong to libra If you belong to scorpius If you belong to sagittarius If you belong to capricorn If you belong to aquarius If you belong to pisces Now you only need the music, that you can buy online and have it in your Ipod. Please be sure to have cookies accepted by your broswer, going to the E lucevan le stelle's MUSICSTORE Ecco a voi la nostra ultima invenzione: una confezione che potrete assemblare da soli a casa. Seguite le istruzioni del tutorial video e fatevi da soli un bellissimo disco E lucevan le stelle fatto in casa, completo di libretto e label. Vi consigliamo di stampare la confezione su carta fotografica da 100 grammi. E poi, proprio in occasione della presentazione di Marguerit e del nostro nuovo packaging, vi facciamo scegliere la vostra confezione preferita tra le 12 che abbiamo preparato con dettagli tratti dalla Primavera del Botticelli: una per ogni segno zodiacale. Buon divertimento! Come prima cosa potete stampare la copertina del vostro cd così come l'abbiamo scelta noi facendo click qui Poi potete stampare il retro del vostro cofanetto facendo click qui Poi sarà la volta del label di Marguerit che potete scaricare facendo click qui Poi potete fare il download del librettino di Marguerit cliccando qui E poi, se proprio non siete soddisfatti, ecco un'ampia scelta della parte frontale del disco, una per ogni segno zodiacale: Se siete dell' ariete Se siete del toro Se siete dei gemelli Se siete del cancro Se siete del leone Se siete della vergine Se siete della bilancia Se siete dello scorpione Se siete del sagittario Se siete del capricorno Se siete dell' acquario Se siete dei pesci Ed ora non vi rimane che la musica, che potete acquistare online nel MUSICSTORE E lucevan le stelle The records info@elucevanlestelle.com no No EL 942301 - 12 concerti http://www.elucevanlestelle.com/12-concerti-per-lorgano/ http://www.elucevanlestelle.com/12-concerti-per-lorgano/#comments Tue, 09 Jan 2007 11:12:42 +0000 E lucevan le stelle Staff The records http://www.saraibelote.it/elucevanlestelleblog/?p=4 La coverThe music (notes) of those concerts comes from a manuscript kept in a private library in Assisi. The organ conceived as an orchestra, imitates the sound of the oboe, the flute, the human voice, the trumpets and hunting-horns with extraordinary mimetic effects. Before our examination, this manuscript, discovered by chance, showed no signs of having been studied and therefore this recording is an important contribution for defining Italian 18th-century organ-playing practices. Played on a Callido instrument in Corinaldo (really appreciated and often played by Pietro Morandi) it gives back the XVIIth organ majestic acoustic and lyric dimension true to the original. A listening.

Download:

Booklet - Cover - Inlay Card

Click to enlarge

]]> http://www.elucevanlestelle.com/12-concerti-per-lorgano/feed/ The music (notes) of those concerts comes from a manuscript kept in a private library in Assisi. The organ conceived as an orchestra, imitates the ... The music (notes) of those concerts comes from a manuscript kept in a private library in Assisi. The organ conceived as an orchestra, imitates the sound of the oboe, the flute, the human voice, the trumpets and hunting-horns with extraordinary mimetic effects. Before our examination, this manuscript, discovered by chance, showed no signs of having been studied and therefore this recording is an important contribution for defining Italian 18th-century organ-playing practices. Played on a Callido instrument in Corinaldo (really appreciated and often played by Pietro Morandi) it gives back the XVIIth organ majestic acoustic and lyric dimension true to the original. A listening. Download: Booklet - Cover - Inlay Card The records info@elucevanlestelle.com no No EL 942302 - Musica nelle Marche http://www.elucevanlestelle.com/musica-nelle-marche-al-tempo-del-ridolfi/ http://www.elucevanlestelle.com/musica-nelle-marche-al-tempo-del-ridolfi/#comments Tue, 09 Jan 2007 08:04:25 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/musica-nelle-marche-al-tempo-del-ridolfi/ Click to enlargeAn exaustive XVIIth century musical selection from the “Marche”, long run with the “Cantar lontano” technique (to sing at a certain distance from each other). The mottetti from Ignazio Donati and Pietro Pace, with the music of Luigi Battiferri, join together in new compositions even bewildering for that time. This recording marks the debut of the Sacro & Profano group, who on this occasion experimented an extremely innovative approach, taking this opportunity provided by performing music never before played in modern times. This record has been awarded with the “CD Audiofile” by the Italian magazine “Fedeltà del Suono” and it will give you moments of rare suggestion.

Download:

Cover - Inlay Card

Click to enlarge

]]> http://www.elucevanlestelle.com/musica-nelle-marche-al-tempo-del-ridolfi/feed/ An exaustive XVIIth century musical selection from the “Marche”, long run with the “Cantar lontano” technique (to sing at a certain distance from each other). ... An exaustive XVIIth century musical selection from the “Marche”, long run with the “Cantar lontano” technique (to sing at a certain distance from each other). The mottetti from Ignazio Donati and Pietro Pace, with the music of Luigi Battiferri, join together in new compositions even bewildering for that time. This recording marks the debut of the Sacro Profano group, who on this occasion experimented an extremely innovative approach, taking this opportunity provided by performing music never before played in modern times. This record has been awarded with the “CD Audiofile” by the Italian magazine “Fedeltà del Suono” and it will give you moments of rare suggestion. Download: Cover - Inlay Card The records info@elucevanlestelle.com no No EL 952303 - O dulcissima Maria http://www.elucevanlestelle.com/pietro-pace-o-dulcissima-maria/ http://www.elucevanlestelle.com/pietro-pace-o-dulcissima-maria/#comments Mon, 08 Jan 2007 17:09:03 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/pietro-pace-o-dulcissima-maria/ Click to enlarge Pietro Pace, music and singing master of the Duckes Eleonora Della Rovere of Pesaro, dedicates these mottettos to her on occasion of her mysterious and unexpected reclution with the name of Suor Maria. Concealed by a veil of profound ambiguity, Pietro Pace signs compositions for sacred performances, where sensuality and spirituality mingle and alternate. A brief comment: recorded in the monastery of Saint Salvatore di Fucecchio, near Florence, which preserves intact Cesare Romani’s splendid 16th-century organ, the monks hosting us spent sleepless nights ‘spying’ on the intense evocative beauty of the these notes inspired by a pure and impossible love.

Download: Booklet - Cover - Inlay Card

Click to enlarge

]]> http://www.elucevanlestelle.com/pietro-pace-o-dulcissima-maria/feed/ Pietro Pace, music and singing master of the Duckes Eleonora Della Rovere of Pesaro, dedicates these mottettos to her on occasion of her mysterious ... Pietro Pace, music and singing master of the Duckes Eleonora Della Rovere of Pesaro, dedicates these mottettos to her on occasion of her mysterious and unexpected reclution with the name of Suor Maria. Concealed by a veil of profound ambiguity, Pietro Pace signs compositions for sacred performances, where sensuality and spirituality mingle and alternate. A brief comment: recorded in the monastery of Saint Salvatore di Fucecchio, near Florence, which preserves intact Cesare Romani’s splendid 16th-century organ, the monks hosting us spent sleepless nights ‘spying’ on the intense evocative beauty of the these notes inspired by a pure and impossible love. Download: Booklet - Cover - Inlay Card The records info@elucevanlestelle.com no No EL 952304 - Sonate, pastorali http://www.elucevanlestelle.com/musiche-di-giovanni-morandi/ http://www.elucevanlestelle.com/musiche-di-giovanni-morandi/#comments Mon, 08 Jan 2007 17:06:19 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/musiche-di-giovanni-morandi/ La coverConsidered the most virtuoso organist of XIXth Century, Giovanni Morandi has been the master of Gioacchino Rossini, whom he initiates into the opera. Morandi’s wife Rosa Morolli, one of the most appreciated Rossini singer, was the seal of this intensive collaboration between Morandi and Rossini. They all travelled throughout the romantic Europe to “serve music” with great vitality and enthusiasm. Unfortunately she prematurely dies and this sad epilogue leaves an indelible trace in the personality of this great musician, who dedicated all his music to her. This CD, recorded in the first modern recording production on the beautiful Callido organ in Macerata, gives back the value of Morandi’s writing true to the original and therefore the culminating point of organ composition in XIXth Century.

Download: Booklet

Click to enlarge

]]> http://www.elucevanlestelle.com/musiche-di-giovanni-morandi/feed/ Considered the most virtuoso organist of XIXth Century, Giovanni Morandi has been the master of Gioacchino Rossini, whom he initiates into the opera. Morandi’s wife ... Considered the most virtuoso organist of XIXth Century, Giovanni Morandi has been the master of Gioacchino Rossini, whom he initiates into the opera. Morandi’s wife Rosa Morolli, one of the most appreciated Rossini singer, was the seal of this intensive collaboration between Morandi and Rossini. They all travelled throughout the romantic Europe to “serve music” with great vitality and enthusiasm. Unfortunately she prematurely dies and this sad epilogue leaves an indelible trace in the personality of this great musician, who dedicated all his music to her. This CD, recorded in the first modern recording production on the beautiful Callido organ in Macerata, gives back the value of Morandi’s writing true to the original and therefore the culminating point of organ composition in XIXth Century. Download: Booklet The records info@elucevanlestelle.com no No EL 962305 - J’ay pris amour http://www.elucevanlestelle.com/jay-pris-amour/ http://www.elucevanlestelle.com/jay-pris-amour/#comments Mon, 08 Jan 2007 17:00:31 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/jay-pris-amour/ Click to enlargeFrom an extraordinary manuscript, heart-shaped, found in the Oliveriana Library in Pesaro. It dates back to the XVth century. We have no idea who wrote these wonderful pages of music; a wayfarer, a poet in love, a prince perhaps? Why? And what were these scores used for? What secrets does this mysterious book still hide today? This is the theme of the hand-written scores in the thin watermark of the heart and reproposed in CD version. It has been divulged “ad libitum” in the hall of the Metropolitan Museum in New York that preserves the “studiolo” of Gubbio of the Duke Federico Da Montefeltro. A short comment for this music: listening on and on with no end. A record to have by you in the ecstasy of love. This CD has been produced within the project “Suoni ed Invenzioni del Barocco Ducale”.

Download Italian booklet Download English booklet
Download: Cover - Download: Inlay Card

Click to enlarge

]]> http://www.elucevanlestelle.com/jay-pris-amour/feed/ From an extraordinary manuscript, heart-shaped, found in the Oliveriana Library in Pesaro. It dates back to the XVth century. We have no idea who wrote ... From an extraordinary manuscript, heart-shaped, found in the Oliveriana Library in Pesaro. It dates back to the XVth century. We have no idea who wrote these wonderful pages of music; a wayfarer, a poet in love, a prince perhaps? Why? And what were these scores used for? What secrets does this mysterious book still hide today? This is the theme of the hand-written scores in the thin watermark of the heart and reproposed in CD version. It has been divulged “ad libitum” in the hall of the Metropolitan Museum in New York that preserves the “studiolo” of Gubbio of the Duke Federico Da Montefeltro. A short comment for this music: listening on and on with no end. A record to have by you in the ecstasy of love. This CD has been produced within the project “Suoni ed Invenzioni del Barocco Ducale”. Download Italian booklet Download English booklet Download: Cover - Download: Inlay Card The records info@elucevanlestelle.com no No EL 972306 - Musique Dangereuse http://www.elucevanlestelle.com/la-musique-dangereuse/ http://www.elucevanlestelle.com/la-musique-dangereuse/#comments Mon, 08 Jan 2007 16:39:25 +0000 E lucevan le stelle Staff The records http://www.elucevanlestelle.com/la-musique-dangereuse/ Click to enlarge22 passages for harpsichord between love and folly. In a CD rich in sensuality, the pleasure promises in the erotic universe of XVIIIth century. Recorded in the cardinal’s hall at Villa Medici in Rome, using a historical harpsichord owned by the Académie française, this recording restores to us the melancholic languor, the most unbridled virtuosity typical of the great French harpsichord players, ranging from Couperin to Royer, including François Couperin’s incomparable elegance. The voluptuousness and obsession that lead to self-denial. Behind the abstract stuff of music that unveils and hides at the same time, the inaccessible peaks of the risky passions of that century. Listen and see.

Download: Booklet - Cover - Inlay Card

Click to enlarge

]]> http://www.elucevanlestelle.com/la-musique-dangereuse/feed/ 22 passages for harpsichord between love and folly. In a CD rich in sensuality, the pleasure promises in the erotic universe of XVIIIth century. Recorded ... 22 passages for harpsichord between love and folly. In a CD rich in sensuality, the pleasure promises in the erotic universe of XVIIIth century. Recorded in the cardinal’s hall at Villa Medici in Rome, using a historical harpsichord owned by the Académie française, this recording restores to us the melancholic languor, the most unbridled virtuosity typical of the great French harpsichord players, ranging from Couperin to Royer, including François Couperin’s incomparable elegance. The voluptuousness and obsession that lead to self-denial. Behind the abstract stuff of music that unveils and hides at the same time, the inaccessible peaks of the risky passions of that century. Listen and see. Download: Booklet - Cover - Inlay Card The records info@elucevanlestelle.com no No